Saturday, December 30, 2006

from: RAIN MOTH

Flight
©2006-Allen Sutterfield


and so I fly
against the unfamiliar unknown sun

pinions rush to bind
my rushing blood

a tree is such a simple thing
a cloud moving over the sky
a couple walking by
towards a song indarkness

sometimes the light blinds
brings down the flight
like stones into the sea


In the Midnight Hour
©2006-Allen Sutterfield

This sun so round
And perfect in its sky
Golden wheel on which you and I
Turn with our special sound

This bay this azure oval
Hiding nothing from the eye
Rolling ever in beveled motion
Open and un-sly,

This breeze profound
In the naked trees,
Along the ground
Among the leaves

Disturbs me to
A writing table
In the midnight hour
When I am unable

To be with you
To see with you
The things love should allow.
Cold, I need you with me now.


Thursday, December 21, 2006

New Year Resolutions


“I will read from the first book picked at random from my book shelf…” I said to myself hoping for inspiration. “2007’s approaching and I have not made even the smallest list of New Year Resolutions.” I closed my eyes, meditated for a moment, my hands caressing the treasured rows. The book I blindly chose was not too big or small, its surface new, firm, as smooth as satin, I brought it close to my face, I felt its freshness and detected a subtle fragrance of sweet citrus…

I opened my eyes and read the title: “We miss each other even when we are together” a collection of poems by Sook Ryeo Kang. Originally written in Korean her poems were translated into English by the collaboration of Allen Sutterfield and Jong Nan King.

Like seeking scent in a field of wild flowers, in Sook Ryeo Kang’s poems and the excerpt from the Authors Preface, I discovered my new year resolutions.


JUDGING
©1997-Sook Ryeo Kang

Some of us are generous in judging, others are stingy.
Whether beautiful or poisonous, we say “That’s life.”

Even pursuing beauty our greed makes us suffer.
We want to be wild flowers but we do not leave our familiar gardens.

I don’t want to hurt others with my judgments.
I want to have a mind free of judging.


AS WIND PASSES
©1997Sook Ryeo Kang


We open our eyes but don’t see everything:
we don’t see what we should see.

We open our mouth: words flow eloquently,
Yet we don’t say what we should say.

We open our ears: sounds surround us
But we don’t hear what we should hear.

If we see properly we miss what we should not see:
It’s a lucky day.

Sometimes no response Is the best thing to say.

Often the best sounds are those not heard.
I’d like to live with eyes that know how not to see.



MIRROR OF THE MIND
©1997-Sook Ryeo Kang


Casual words are easily misunderstood –
In other minds
what colors reflect?

Late at night
I look at the reflection
in my mind’s mirror.

Dusty haze,
“residue of a busy life.”
I look again, intently,
embarrassed at my easy justification.

Spoken words –
they should be morning light.

I fold my handkerchief
carefully cleaning
mirror of mind


From the Author’s Preface:
©1997-Sook Ryeo Kang


“I don’t want to stumble over the pebble in a foolish way. We must let go of things in our past and even things of the world in our present. A new fullness is possible when we have empty hands. I want a life that is full in a way that is independent of things – full in emptiness.”



Friday, December 15, 2006

Christmas Lights

To Jesus of Nazareth

In the frosty garden of the night the moonlight whitens rooftops, glittering silently with the silent Stars.

I am here with night thoughts listening to the cold motion of he night; listening to the city sleep, knowing down the road, here and there, on old Vancouver streets there are Christmas lights, because it’s Your birthday…

Christmas lights and children with a million Christmas dreams because tonight is Christmas eve, the little Saviour’s birth Night.

…the lovely fright’nd girl and her devoted man, the old wise Kings… the bleating sheep, the words he gave the world to keep:

Love ye One Another… let the little children come to me, be good neighbours… treasure friends… yes, there are Christmas lights glowing down the streets…


Christmas Lights December 24/95
©2006-Richard Carlton

…Cathedral bells and city traffic, frosty breaths and winter jackets,Christmas parcels and tired feet, and windows lit with Christmas trees; Carol songs, that Christmas glow, maybe turkey and some mistletoe, a fire’s cheer, a glass of ‘nog and treasure of the hearts of home.

So many Santas when Christmastime comes all sharing their loves to make dreams come true, yeah all round the world a trillion hearts shine all giving something to somebody’s lives; So hang up the holly! sing out a tune, have a great Merry Christmas! it’s all up to you…

Wednesday, December 13, 2006

Australian Kristmus Pudding

Put 1 ½ pints milk, 1 ½ sqrs. chocolate or 3 tablsp. Cocoa in saucepan and bring to boil, add 4 dessertsp. gelatin (.Davis) and stir till dissolved, add sml. cup sugar and stir. Remove from fire, and when thickened add essence vanilla, ½ cup prepared dated, ½ cup raisins, few figs (if liked) and shredded almonds, ½ cup muscatels. Turn into mold which has been rinsed in cold water. When set turn out and decorate with holly and serve with whipped cream or custard.

From: The CWA Calendar of Puddings, 1930


Tuesday, December 12, 2006

A String of Lights

Christmas Morning Dec25
snowy-cold, brilliant sunshine


It flickers there on the stage of memory… laughter gleams scraps and scenes, the music of someone else’s life… And one by precious one, friends leave the stage of life… flicker out like a candle in a lonesome window… like string of coloured lights and vanish into endless, nameless Time, taking with them each one a little bit of youth’s sweet golden glorys, old love story, the feeling of the times… leaving those who’re left to watch the Morning the faint gold lilac of the dawning and memories that fade out into time like a string of coloured lights. /

©2006-Richard Carlton

Tuesday, December 05, 2006

The Antipodean Pagan

Anonymous Posting on a Brisbane Notice-board

“Oh, Kristmus is for kiddies.” Thus he piously intones while laying in the beer and wine and grub and maybe cones. He smiles anticipation of the coming Kristmus treat of warbling ‘Winter Wonderland’ in summer searing heat and singing songs of sleigh bells where the snow was never seen.

And there’s no heathen custom that could be quite so obscene as guzzling pud and turkey while the temperature is soaring, collapsing then as from every pore the perspiration’s pouring!

I try to point out to him that learned scholars say Jesus wasn’t born in winter. There is not a way that shepherds fed their flocks at night in freezing cold December.


It was the time for taxing by the Romans, you remember and they weren’t quite so stupid as expecting folk to travel in winter’s bleak conditions and on roads of roughest gravel.

The scholars know what time of year each sundry course of priest their duties in the temple kept, so there is not the least small shred of doubt that Christ was born (your patience thus permitting), September – Feast of Trumpets Day – so faithful, apt and fitting.

But ev’ry Yuletide custom is as pagan as can be. I’d shock you if I told you all about the Kristmus tree.

I tried to tell him all of this. Alas he isn’t listening, he is living in a dream world
Thinking what he does is Christian.




Friday, December 01, 2006

Early Morning in Chengdu

©2006-Allen Suttefield

Ha, Daylight! So thick is the cloud even daylight is late this morning. The rain, however, falls as it will; Water drops tap each awning in dark or light.

The concrete floors of the rising building glisten wetly: At present open to the sky they will soon be ceilinged never again to receive the rain until the roofs are destroyed.

In ancient Chengdu floors of new buildings also felt the rain, and construction was delayed by the same gathered clouds.

There! The first clang of dropped metal, like a bell announcing: the work day begins. Voices quickly follow unseen below and Friday, wet Friday takes place in the work week.

7:30 A.M.

Monday, October 30, 2006

Allen's Text 22 - The Law of Seven -

copyright©2006 Allen Sutterfield

“If there were no Law of Seven, everything in the world would go to its final conclusion, but because of this law everything deviates. For instance, if rain began it would go on without stopping… if an earthquake began it would go on indefinitely. But they stop, because of the Law of Seven, because at every missing semi-tone things deviate, they do not go by straight lines.“At the same time, the Law of Seven explains that, if you know how, and at what moment to do it, you can give an additional shock to an actave and keep the line straight… We must learn how to keep these octaves from deviating, how to keep a straight line.”

Sunday, October 29, 2006

Allens Text 2


cpyright2006-Allen Sutterfield

And so we started off then, right there, without a second thought, without a false step. There was only one way to go, and that was the way we were going!
Surely the world was trying to hang itself BY THE NECK UNTIL DEAD but what matter? We were OFF, and that was ALL!
Now a death lay by the roadside like a black creosote coffin, yes a railroad tie was width ways across, small green stems, it could have been no more than the second week of spring, were issuing from the earth all round it,and there were the ancient whistles of trains in the air, whistles not heard in years, not heard in lives. The sky was one of those you start off by IN YOUR DREAM, nothing less than perfect, and not a jot more. For we were step in step towards --our destination!
The journey was underway, and not even a death by the roadside, not that black box nor its creosote incense were cause for more than a glance. There was nothing in it anyway -- the trees held more! For there was a slight wind, just the warm sort of breeze you feel behind your shoulders when you SET OUT. Yes it must have been April in certain latitudes, we didn't notice, for once we didn't see a single calendar, not even in barbershops. It was spring and we were already several steps down the road, with a doff of the hat to clouds and a wrinkle of regret that passed over the surface of our hearts and off again into nothing and that was that. No we had no postage stamps, no envelopes, no pens, no writing pads. It was our beautiful REVOLT.
It was a Jacob's Ladder journey and we were ready.


Allen's "City of words" Text 23

© 2006 Allen Sutterfield

what if
in some secret sea
where no gull cries
and no shore lies near

what if
on such secluded sea
I call to you in angry truefear
and you do not choose to hear?


1 comments:

Brian Campbell said...
Interesting to see Allen's work up in your blog. I've told Allen that the blog format would be a good way to present his text/visual series.Allen, your texts are as lively and airy as ever, alacrity also begins with A and its NO COINCIDENCE, I send you this note as via long-distance boomerang all the way thru Australia and back. I hope you are well...

Tuesday, September 19, 2006

Buddhist Thought

Being vigilant of the three doors of karma is to remove the conditions for three poisons to grow, the three doors are - Speech, Action, Thought.

Sunday, September 10, 2006

Heroe's Never Die

Heroes never die…
Their bodies loose that common texture known as life
while a thousand times enriched by death, their quintessence lingers on.
A hero’s fate is not to die in bed, conquered by old age,
a hero’s destiny is the battlefield, not diabetes or Alzimer’s disease.


Go, go brave man, warriors deserves a sudden death.
On a sharp bend, a Daytona coupe careened --slamming into a tree--
so was earthly existence snuffed for Aussie racing car driver
Peter Brock.
And Death kept watch each time Steve Irwin kissed a tiger,
toyed with scorpions, swam with sharks, or hunted crocs.



Though a hero fears it not, he’s aware of his companion’s presence,
invisible, mysterious, well-known yet unknowable, haunter, not hunted,
feral essence never tagged or captured for the zoo. That’s Death!
To a car-crash or the barb of a black stingray, unconquered heroes
freely yield, by Death immortalized, rejoicing in Elysian Fields

Thursday, September 07, 2006

Steve Irwin - Thanks for the Memory -

Stevo “WOW what a little beauty” you were to this country and state,
The Sunshine Coast will miss hearing that Aussie larrikin say “Crikey Mate,”
Everyone loved you because you were a typical Aussie bloke,
Very willing to make people laugh with a typical Stevo joke,
Everywhere you went as a proud Aussie in your khakis,



Internationally you will be missed by all over seas.
Reptiles and conservation is what you will be remembered for,
Without doubt it’s that ocher Australian in you that made us proud and adore,
It won’t be the same Australia without you Stevo, you brought us so much joy and pleasure,
No doubt you will be remembered as our greatest national treasure.

Text- ©2006-Clayton and Beck

Sunday, September 03, 2006

649 ( The Lottery Ticket )

When I heard the news that my friend got a win for 649 I went out of the room without thinking.

Where Can I go? I wondered, and walked down the street. I stopped in front of the lottery ticket vendor.

“Please buy me. I sell the happiness.”

The numbers were trembling. The numbers were dancing--- Temptation!

I chose 6 numbers with intensity: 9,16, 23, 27, 41, 44 They looked like a treasure island.

That night I had a dream. The shining sun and the full moon were hanging in the clear sky.

Next day I checked for the winning number. Not one of mine was right.

I went out to the lake to hide my embarrassment. I had expected to win.

The sun and the moon which I saw in the dream hanging together in the dark sky---
I could not see them.

©1995-Jong nan



Sunday, August 27, 2006

Rainy Afternoon

©1999-Richard Carlton

All the debris that’s left of love’s attraction
old happy photographs, a happy song
a ring perhaps,
thoughts that won’t be gone…
the ghosts of our old satisfaction.

And in the dawning of a bright new day,
sometimes it’s good to sweep the past away,
not unremember’d but
still treasured with our old sweet laughter
in a special place set apart.

On some rainy afternoon
every now and then,
we’ll look through our box of souvenirs…
The old dancecard,
the smile we loved the camera kept for us,
no one can blame us if we shed some sudden tears
we all know however brave,
underneath there beats the longing heart.

Sunday, August 20, 2006

Allen's "The Bookburner"

( Text 172)

The Bookburner: "I'll tell you a secret: that book is no longer here. I burned it."
"But you loved it!"
'”I burn one each month."
"Is it always the one you love most?"
"No, not always."
"Why though? Why? It was beautiful--"
"I burned it carefully ...page by page."
"Did it hurt?"
"Not while it was burning."
"Does it now?"
"That book is a beautiful memory, it's a part of everything I do now. To burn a book was hard, the first time, I cried, and I didn't even like the book, in fact disliked it. The second time I chose one I did like, not one of my favorites of course. It hurt. But gradually, after that, book by book, I did it more simply, ritually. Without thinking or feeling very much. Then: I burned the beautiful book. Only yesterday. We merged bloods in the burn­ing, 'fires of purification' if you wanta get gooey about it. Whoops--loss of voice there, come back. So. Yes. I burn books. But no one else knows. My brother preferred live things and burned ants in the sun, with a magnifying glass, large, large in my keeping...."

©2006-Allen Sutterfield

Monday, August 14, 2006

Allen's Text 3899


means is a a pocket of past
even this is cheating
but to sit down and
COMPOSE
your real, that’s something
think about it if you can

you are a little hunk
hung in a dark web
where certain lines intersect
one of your functions
(is that the unpoetic word?)
to do this, sit down and compose
your real

like a cat on piano keys
romping giant floors of dark

here you sit
while the comets whiz
not far away

jostling the web’s great lines
as the millennia go like seconds
my age come upon me like the hooves of long ago
pounding on a door someone had locked

so the sparkling electron
one could say this moment was
takes the page/with the wording
and it’s going on that does it/when you least suspect

it’s an easy mind
can follow no trail

©2006-Allen Sutterfield

Wednesday, August 09, 2006

Allen's Text 518

I hear a distant bell and children singing. Below the carpenters handle delicately a mammoth pane of glass, so clear it seems they carry a piece of the Invisible. The radio squawks and gabbles, tuned on an outlandish frequency. In an outer corridor a woman walks down stairs, confusing the walls into a white silence. Magenta and blue plaster, the city on the hillside sits patiently in the rain, rife with a stolidity learned of centuries (the sun will come again). It is the moon's day, incipient and wet. In the small black-bordered room (No. 37-A) at the back of brain I play solitaire with a deck of live cards, faces contorting in mockery, the vain reflections of a thousand mirrors. The skin is rubbery and unreal, the numbers and symbols in black and red profusion weave and cross - now there are thirteen where there were three, now two where once ten. The hour glass, brought from Arabia by camel, pours an endless stream of moments in a golden string. Suddenly an alarm sounds, the cards, are abandoned to their private vices, I rush from the table to the windows - the parade has begun. Slowly in spectacular file the myriads inhabiting the assorted rooms pass by. The day will end in a bloody sunset, despite the heavy promise of the clouds. Always a spectator! Always!

©2006-Allen Sutterfield

Sunday, August 06, 2006

Ferryboat and Traveler

A Korean Poem

I am the ferryboat
You are the traveler.

You tread on me with muddy feet,
I embrace you
and cross over the water.
When I embrace you,
Deeps or shallows
or fast shooting rapids,
I can cross over.

When you don’t come I wait from dark to dawn,
in the chill wind, the wet of snow and rain;
Once over the water you go on without a glance back.

No matter, I know that sooner or later you will come,
While I wait for you, day after day I go on growing older.

I am the ferryboat, you the traveler.

©Han Yong-un

Catching a Bug


A Korean Poem
When I catch a bug in the room
All of a sudden
I realize that the bug is myself,
I open the window and
look into the distance.

A bird flies across the blue sky.
It flies to the branch of a tree.
sitting there it begins to sing,


Singing
In which I hear the ancient sound of crying.

When I catch a bug in the room
What do I grasp?
What do I miss?
©2006-Bong Bong

Saturday, August 05, 2006

Allen's Text 128

Writing was on wall for Pompeii's citizens

POMPEII, Italy--Our cities may be overrun with graffiti, but they are barely scratch hitters compared with the ruins of Pompeii. The Pompeiian’s were past masters of the small talk that makes walls talk.

Pompeii's light-hearted scrawls, and even the many nasty ones, are now cherished leftovers from 79 A.D., when the Roman resort town died in a volcanic eruption.

Graffiti - literally meaning "scratches" - go far back into history. In Pompeii, they were the town news and gossip, in Latin or Greek, long before the days of newspapers or books.

Love, money and politics were the basic themes, and nobody hid their thoughts. "Salve lucrum" ("Hurrah for profit"), proclaimed a joyful inscription in a trader's house. And a lover wrote on a public wall, with Pompeiian zest: "You have never seen Venus? No need: look on my fair one, she is as exquisite."

There was so much electioneering on any available flat expanse--"Proculus, support Sabinus, and he'll support you"--that a householder worked his own plaintive message onto his whitewashed wall: "Painter, I beg you not to write anything here. If you inscribe a candidate's name, may he fail in the elec­tions."

When angry Pompeiians scrawled, "Let the wrath of Venus fall on any one who does damage here," it had nothing to do with love. That was a warning to passersby who might forget themselves and mistake the street or wall for a lavatory.

Thousands of these markings remain, giving us a keyhole view of Roman life. It almost seems as though any Pompeiian who had a passing thought felt compelled to add it to the groaning walls of houses or alleyways. Cartoonists burlesqued gods and gladiators, and there was no shortage of indecent sketches.

There was so much of this sort of thing that it inspired a favorite Pompeiian couplet found in a number of places: "I wonder, wall, that you do not go smash, who have to bear the weight of all this trash!"

The walls did go smash. Mt. Vesuvius wrote the last message.

--Field News Service --

©2006-Allen Sutterfield

Tuesday, August 01, 2006

Allen's Text 900

Well, then, the end of something, a station reached, the ticket is no longer valid. Discards litter all emergences, going from the train that carries us so quickly along the psyche’s rails. The green and red winking signals along the tracks are left in the nearer distance behind, beyond lies only an infinite plain, the unmarked countryside of the future, flat and smooth from this isolate platform. Yet already the lattices are being laid, the engines begin their slow mounting hum, over there a ticket agent, issuing the single billet printed for such travel. The swinging lanterns of the brakemen, orange eyes in the death dance of the present, thrust lines of glow, hook, catch, in their blatant rhythm, the moments fall and die like torn stubs, tossed beneath the roaring impatient wheels of l’Express! Boarding, one takes with him only a suitcase of memories, a small bag of alpaca visions, the dust gathered in the corners of 10.000 days and nights, stretching behind like so many pieces of rail, so many abandoned ties. Soon will come the day crew, the firemen, the torch, and the cinders will blow a grey fragmented storm against the sky. But you will not know or notice, always the future travels faster than the past, it is its business to do so. You will not know riding through the interminable honeycomb of days and hours, moments and years, in the amber coach of dream, for all those miles and hours, those forests of minutes, vast tundras of time are so much magic now, standing in the present, a moment unburdened, having finished whatever the something-now and ready to depart.

©2006-Allen Sutterfield

Saturday, July 29, 2006

Wintersun in Ozland


There is nothing left but old cars and rock'n roll
because all the best cars have already been built
and all the best songs have already been sang...

Friday, July 28, 2006

Allen,s Text 4896

Sun breaks through I put the pliers on the floor along with the scissors
that’s so they don’t fall off the desk from all the typing
non violent placing is best when possible
the bottle of glue maintains a risk but it moves more slowly however, my little daybook is about to fall.
Coins I leave lying, for even if they strike the floor, the sound isn’t jarring
anyway there’s no guarantee they’ll fall

Pieces of paper float effortlessly, noiselessly, touch down with a distinctive sound, not exactly rustling, not shufflin, it is the sound of all their own, pleasing, it has little or nothing to do with words.

I have noticed it makes no difference / if the paper is blank
though that is not to say words don’t weigh
only that theirs is a different sound
entirely unrelated to the material they’re on
(when the big metal sign fell into the street
it wasn’t “Bijou” that sounded)

The streetcars are still horses in my window
they come so quickly this time of day
they don’t stop long
the doors open, people get on and off, usually anyway
sometimes not
even that is not predictable
that is its power, one of its powers, the scene
always changing and full of movement
noisy but one really hears the silence when it happens
and the sun moves in and out crossing the sky my windows face
the sun now shining

Tuesday, July 25, 2006

Carousel...

©2006-Richard Carlton

This is a lonely life, no matter how we try to push that fact away, how can we make it better? Only love can show the way.

Its the melody of laughter, the caring smile, the wit in some sweet stranger ‘s eyes that brings a glow into our days.

Yet in our secret hearts we know we’re all together all alone, and the comforts that we give each other, a touch, a hug sometimes a gift, a knowing glance that shows we understand, is the best there is…

Yes, it is the golden flame of friendship’s heart that lights the darkest dark, the harmony of friendship’s grace, friendship’s hands, a friendly face…

As the carousel of life goes round and round, the painted hours gleam and dance, the moments pass on music’s wings, the moment’s chance!

In our hearts true love sings with honest thanks, yes the jeweled hours flash away, and we may miss lost magic in forgotten hands… yesterday is far away!

The gleaming waves… the Sunhot sand… the perfume of the one you love… a laughing smile, that haunting kiss…

The fancies of the random breeze, a sacred secret ecstasy in Moonlight’s blue… the only real love you knew… This is a lonely life. ...

Saturday, July 22, 2006

Allen's Text 4900

Uriel Ruddock, Keeper of Lions, walked the beastesses to town and back, a lax leash, the sight of wayfarers on the highway, the delight of those on the low road: they marked the furniture, did the cats, with deliberate ease, ripping to shreds ancient inexpensive sofas, wide-winged chairs, leather DAVENPORTS and scrawling poems in the wood that only future lions could or would read: he was evicted time and again

“NO ONE IS ALLOWED TO HAVE PETS IN THIS BUILDING!’

--the relationship was scarcely that but Uriel knew the ears he must speak into, and so he simply moved in and out, smuggling in in trunks, refrigerators crates and giant sleeping bags the tawny females and one immensely maned roarer of a male, no longer jealous having had his good lot—only to be evicted when discovered, necessitating new charades until someone
IT WOULD NOT BE URIEL
stopped looking, stopped saying, and always he moved back in in graces: he was that sort, even with landlords: here, an old English lady. (Everyone of course knew she kept a secret tiger in the cellar.)

©2006-Allen Sutterfield

Friday, July 21, 2006

Allen's Text 21


There was a man going out to get water. He carried a wooden bucket squeaking an a bale. Who could not have heard? Darkness. Night birds were singing. An opulent star. The faceless moon was close. Where could he possibly have gotten to? There was a certain breeze. The trees shook their green fruit. One, two, thuds upon the earth, and the earth opened. the bucket, too was never found.

©2006-Allen Sutterfield

Thursday, July 20, 2006

Eliot in Waste Land

The following is an excerpt from a 1923 magazine or newspaper:

Everyone interested in poetry is talking about The Waste Land, T S Eliot’s long poem published by Leonard and Virginia Woolf’s Hogarth Press, after first being printed last year in Mr Eliot’s new magazine, The Criterion.

Many cannot recognize it as poetry. It is a collage of quotations and echoes other writers, Shakespeare, Dante, St. Augustine and the Buddha among them, as well as sexual episodes, jazz-like rhythms, and Cockney vulgarities in a public house at closing time. It calls up a desolate picture of spiritual emptiness and aridity. It has outraged lovers of “Georgian” poetry as much as Joyce and Stravinsky have outraged traditionalists. Sir John Squire calls it “incomprehensible” and F L Lucas damned it as “one of the maggots that breed in the corruption of poetry….

Eliot, an American with an English wife, works in a London bank (Lloyds Foreign and Colonial). He dedicates the poem to his fellow-American poet, Ezra Pound, who severely cut it before publication. Despite its difficulty it has become a cult among undergraduates.

Wednesday, July 19, 2006

Arthur's Text Game

Moef was delighted when Arthur made a game of the Unfinished Book in order to let her become involved in it. Arthur’s personal uneasiness about her reading his writing resolved itself imaginatively in this way. He decided he would let Moef choose any eight texts out of the several thousand that existed, all of which were numbered, Pythagoras was a reigning spirit in Arthur’s private pantheon. He would then ask her, indeed require of her, a written response to each chosen text. Who knew where things might lead beyond that?

Moef thought only a few minutes about the numbers she would choose. Fixed on “8” as she was, it was not very difficult. She chose: 8, 88, 888, 26, 1943, 71, 808, and 4888. that night, searching through his many boxes of texts, Arthur was continually surprised at how uncannily apropos their own circumstances her choices were. He was resolved to offer no commentary on any or the game itself until after she made her responses. Still, unknowingly he had thrust HIMSELF into an entirely new and unexpected relation with his own book, and he felt the chill if the vast spaces he had experienced so vividly during the first years of the Book, in Turkey. Was the “game” only a new immersion in the bracing waters of Created Time?

Sunday, July 16, 2006

Bus Stop

©2006-Allen Sutterfield

Is that where I want to stop? One hates bus rides but finds himself just beginning to enjoy this one when suddenly the town chosen as destination arrives and one is faced with getting off HERE, knowing it’s not the place, that this travel cannot end here and that if one knows what is good he will stay put and, hunkering down, try to ride on unnoticed for awhile…

Wednesday, July 12, 2006

Allen's Text 954

©2006-Allen Sutterfield

I have not known such a cold moon. hung on a patch of cloud, full, white, unwrinkled: all the light of the sky seems drawn into it, and all that is in that light.

I have not known desperate men to ignore all signs natural and beautiful, even in a senseless slaughter: old sailors on wooden decks sighting the moon (such a moon!)--what was in their eyes?

I have not known beautiful women more terrible for their beauty than those condemn to plain things—a compensation, rather, the destruction by the beautiful.

I have not known books to end, nor dreams to end, merely because they were not attained, nor could be: rather, the being is the book and the dream. How can we cross unnecessary boundaries?

I have not known more days than nights deserving; nor minutes than hours: nor moons than suns: oh Christ! I have known the heart to fail forever.

Tuesday, July 11, 2006

Allen's Text 988

©2006-Allen Sutterfield

There is something inside, something in my breast, tangled among reeds, crying out for release—perhaps a white bird, lifting itself in a fluttering arc across a sea of infinite sorrow. A voice, a voice like a white bird, hovering in my throat, inching at the roots of my brain, aiming itself at the red roof of my mouth, wanting out, away, into…a real world, a real world.

Monday, June 05, 2006

Allen's Text 1803

©Allen Sutterfield

hard part is getting yourself to the point where
there is no stopping
long enough to say something, anything at all will do
in that most literal of ways
you know what I mean
Stranger?
but it’s hard, peeling off the outer layers
just so something inside
can tan awhile
in the light if eye

Sunday, June 04, 2006

Allen's Text 80

©2006 – Allen Sutterfield

Chapter two: Some Months Later

The nearest I can say is,
I haven’t really been myself
but it doesn’t sound the same on the page as when I read it off in my head just now, Reader to the end
but I know for sure
(the calendar tells me so)
It’s been all of ten months since leaving off and oh, the reading I’ve done since then ( as you can see, hardly any writing, in fact, none ), the reading, Dear Reader, the reading! I managed to ensconce myself just about as firmly as one can, all things concerned. Or is it considered? No matter. The table at which I work is not a table for dwarfs, nor is it the same table ( I believe it was a desk, if my memory serves this tiny platter ) at which I typed before, this being the after of the famous comparison. You tell me if it looks any better, I’m not at a loss. And please forgive my casual directness, it’s only the familiarity of readers, that we are both readers, indeed we are can you would you deny it? it’s that we are both readers sustains us, I know it’s a curious certainty , and I’m less subtle than a European being primitive, but it’s the only bridge on which we walk, hardly oblivious to the obvious pitfalls.
They darken away on either side. All the faces that rise up in this strangely isolating act, on either side I mean, out there in the airless gulf, not even a river of blood separating us, from them I mean, there is no separating us from each other, sanguine as we persist in the sheer face of ink and industrial marvels. far back as Johannes Gee at least, linked in ink little wonder we feel for each other, the best we can manage, feeling so rare here, on our make believe bridge and groom in uncalculated doom, wedded in the instance forever, passing, missing as we do everything on every side of the bridge. Ah, anyway it’s only a metaphor, don’t let me get you down, not that easily anyway, true, it’s not a very long bridge and yet we never seem to get to the end of it, nor remember when we first stepped on its swinging. Bridges!
What a concern. I was hoping, as I’m sure you were, that there might be something more. Perhaps there is, perhaps we just haven’t come to it yet, and afterall, who am I to be positing we so gamely? Maybe I am wrong, or misinformed simply, to do so, I don’t know, It’s probably just my experience speaking again.

But I Have always felt part of an act, you know? Like the Vaudeville Horse. Some writers wrote and I read, Naturally I was at the ass end, since reading follows writing, however blindly, but then I stumbled one day upon (or it could have been one night, it’s always dark there midway in the Horse ) a disastrous discovery, to wit, that just because I was the ass end of the business didn’t mean I didn’t lead, and actually come first, now and again, this being when I discovered that Mr. Horsehead Writer ( my to what point better half ) had himself been a reader first! I sat down immediately and the complete works collapsed on top of me. First the audience laughed and I just kept sitting there with the head scrambling and tumbling all over me and then the laughter died away and then the awkward silence and then the hooting and yelling and real clamoring, well, I realized finally what a pickle: which end was up?
Obviously my own as a horses ass, pardon, rear, and was I out of a job? However shitty? It seemed so. The Head was no help at all in this mess. Finally I got to my feet, ignoring the Head, let it do what it could, whoever my partner was up there ( for there was no intercourse between us really, though naturally the outside looker could not know that ), and just started running each way for a little space, agog wit the my realization and just taken with the sheerness of it, having discovered who and what I really was at long last, i.e., a reader and that, far from following, I might have even this minute be stomping out the tune by which some other would be surely lead ( the ever ambiguous silent partner ) whether I knew it or not, since I was now moving and thrashing about and, still the Vaudeville Horse, could hear the audience settling down again, and sure as shooting someone else was in the Head, cavorting with me in the maddest of japes, doomed to find out ( if he or she as it just might chance ) that I in the end no longer knew my way about, had no place where I had to be at any given time, no pattern to follow or to lead, and thereby neither did he, could she, would it, have, either: only road open was this clomping bridge to hide our naked ingot . ignorance of what we were about.

Thursday, June 01, 2006

Cerro's Love

©2006 - Cerro

Lately I am tripping all over; I am falling in love again!

What kind of love is it You asked…

Passionate… burning with longing? Pure… gurgling like spring water? Secret… hidden between sheets? Open and free like the flight of birds?

My answer is:

You are tickling and poking with words like a master craftsman using his tools!

What kind of love? I would say… at the moment… pure and gurgling like spring water… with a promise of all the above mentioned to come… in addition to compassionate and unconditional on my part… I lay down all my cards… and I love with all my heart!

Foolish or brave? …I have nothing to loose, why should I be afraid?

Tuesday, May 30, 2006

Allen's Text 79

©2006 – Allen Sutterfield

Thoughts of actually beginning a novel - Reader, I’ll call it. An autobiographical fantasy (and learn how to type while you are at it.). If only I could. Write, that is. I can’t even write a letter, how can I write a novel? Here I am writing on the back of pages written months ago, and what is on the other side” Bunch of quotes from a novel! That’s me all over, Readetr. As close as I8ll ever get perhaps ( that’s I’ll, not I8ll ), goddamn but the energies are fierce this present.

A mouth tomorrow
devouring you
cause I don’t see you

I’d always goof it, like that, love poem getting in the way, instead of the really straight book, maybe a story even, I want to write, and then I’d double the jeopardy by saying I didn’t have any choice in the matter, which you are never supposed to say, especially if its true. But I can’t fool me that easily anymore and so I can only say I admire the stick to it craftsman national anthem of Completed Projects and disciplined honing of crude wood never lost sight of, else you can’t hone at all. So it’s an anti-writing writing I’d be for but unable to do, since I’m only a reader and not the writer I often fancy myself to be, too lazy for the real work of guiding words, I’ll just have to own up at all beginnings, no, no, just the one, that it can’t be done, what I’d like to do.

And is one never to be in charge of himself again? Or for the first time? Who can live forever between the lines? Where is there a body to steady the inconstant moon? Words flow so easy some hours, and tables rock with the weight of all that typing. But they go nowhere. Come from, go to. Go to, Go to. If you remember it’ll go down in pharaoh’s land, where some of it began. Chronicles in an old title. Someone drops a carnival of picks, running woman to his talk, he talks smoothly. How can I do it? Write the book I mean? Drift. Drift. Away from and towards the dooby self. “Don’t gild the lily!”

Words I read but it sounds like I heard them, I who never really heard anything beyond the usual things you are supposed to hear, in reading you don’t hear much, it’s a deafening exercise, impossible to talk to anyone while he’s reading ( or she’s too ) and if the reader’s always reading? There you are, or rather, there I am. Reader. What a fate. And discovered too early, rather than too late, for if I’d discovered it later, sing “ When I’m 64”, then it would have been too late to worry about it, if you wake late enough in the dream it doesn’t matter …as much. You’d still like to know how it would have worked our that way, but a good long rest is a positive pleasure, enough to make it alright that you have to get up afterall just when you thought you’d settled in for good. So you wake up at 64 or 76 or 89 or way up there at the century mark itself and you say, I’ll be damned! I’ve been asleep my whole life! But what a dream! Hmmmnn. No chance of getting back into it now, though. Rude awakening? No, no, it was gentle enough, now that it’s over and I’m up on my feet scratching my balls in the early morning sun since it seems I didn’t sleep with any clothes on, thank god. I would have wanted it that way, raw I mean, in the good old naked sense of the word. A hundred years old! Might as well have been a day, now I’m awake. But I am only 38, not even that, it’s my 38th summer, or should I say it was my 38th when I awoke? It’s such an awkward age, to wake up as I mean, because you are not yet old, old enough to have had the good bad long dream, and you are not young enough for it to be only one more beginning, the way it used to be, in the dream. No, you might have known it, you’re just 38 years, or not even that, and there’s nothing can be done about it, you’re up out of bed, there’s the curtainless window, one of three in your room, a bay jutting out into every day, the old cock stands up, rising to the sun’s occasion. though it shrinks down quickly enough once you hit the john. and there you go, your whole life has been reading! Read Your life Away! And all you can do is take a leak when you wake up at the fact.

Is love a project?
Is it even a question?
Is the world itself still possible?
What did happen to it anyway?

Or are these glass splinters all over my crushed body evidence of some beginning fall through a skylight?
...round smug hips in her fading jeans I still get a stir per sterns but alas, no assifaction. Joyce was the name of a cousin before I learned to read.
The reader is always in a dream, he reads his own life as he reads books and he never really knows if what he’s doing any moment is not merely something he’s reading sitting or lying somewhere in a book. For reading is the civilized cunt from which the modern sensibility—isolated in at least one case, gentle reader—keeps trying to be born, or extract itself in some other fashion. Though in words the reader tells himself it’s to get himself into a cunt I am trying for. in stopping reading. The other half is, turn it into (return it to) experience.

…blue as robin’s egg, the turning mind
in and out of world, and words…
Afterall promotion is the linch pin and Ed’s Big Machine, and there are a few handfuls of words to stuff down glib craws always yerking for grainy tidbits. Caricature act. Then there’s always a love story to read as well.
I don’t know.
It all seems possible, this minute, may stay so long as I stay here in the New Harmony Bar but my beer’s been drunk and it be time to pay pee and mosey, ‘scuse me.

“Where you comin’ off from?”
“Just south of nubbin’, little lady, if you must know. And yourself?”


Sex in April gales of snow and chill.
Against a tree in the park, in the dark.

The Stinging of Bees

Eros, the primeval son of Chaos hadn’t notice the Bee sleeping among his favorite roses, distracted by the appearance of a graceful nymph, her skin soft and scented as the roses’ velvet petals.

It was not the thorn of the rose but the sting of the awakened Bee that struck his little finger as he reached to brush the magic of a nascent flower.

Lamenting loudly he ran, then flew above the rose bushes howling at the heavens, crying for his beloved adoptive mother, Aphrodite:

" Mother, I’m undone, I’m undone and soon shall perish… It was a snake that savaged me, a little tiny snake with wings, the beast the farmers call a Bee…"

He hollered and sobbed until unmoved the love-godess answered: “If the sting of the Bee hurts you so much, Eros, think you not of the pain suffered by those stung by the arrows of your bow?

Adapted from: The Anakreontea

Sunday, May 28, 2006

Allen's Text 42

©Allen Sutterfield

A man carries many lives within him. They are of necessity limited, however encompassing any given one might be, because each is a separate burning light, the man himself being not merely these lights but the darkness that contains them.

Birth of the Butterflies

A Dreamtime Myth

When the world was new, all the animals and birds had one common language and there was no death. One day a young cockatoo fell from a tree and broke its neck. All the animals and birds gathered around but failed to awaken the creature they thought was sleeping.

There was a meeting; the wise-ones speculated and then decided the spirits had taken back the cockatoo to be changed into a different form. Everyone accepted this as a reasonable explanation, but to prove the theory the leaders asked for volunteers to imitate the dead cockatoo by going up to sky for a whole winter.

During that time they would not be allowed to see, hear, smell or taste anything, in the spring they would return to relate their experience to the others. The caterpillars offered to try the experiment and went up in the sky in a huge cloud.

The winter passed and on the first day of spring a pair of excited dragonflies announced to the assembled animals and birds that the caterpillars were returning with new bodies. Soon more dragonflies arrived leading back into camp myriads of white, yellow, red, blue and green creatures --- the first butterflies; proof that the spirits had changed the caterpillar’s bodies into another form.

The butterflies clustered on the trees and bushes, everything looked so happy and colourful that the wise-ones decreed it must always be so, and so the caterpillars spend winter in cocoons preparing to change into beautiful butterfliesat at the first sign of spring.

Friday, May 26, 2006

A Martyrdom

©2006 – Allen Sutterfield

And given over to the guards She went silently, the dark Hood dull in gleam of axe Stood still with eyes only:

Wood planks reflected steps Towards a doom, resounded As in a hollow room her quietness, Paler than moon her face

Took the gazes unsmiling And aloof: the sun watched, Played on the sparkling blade: People watched suddenly afraid:

One clean swish through air Tight with unbreathing and wish Of high men severed the sun In clotted fact: dead: done.

Monday, May 22, 2006

Allen's Text 64 - Part 1

©2006 – Allen Sutterfield

On the plain, bare, ugly brown covers of the Journal Volumes Winter had left him, Arthur had pasted various colored pages, each the exact size of the cover. The first of these was a Tibetan mandala from a tantric book he had long ago cut up.

Two bodhisattvas, one in either upper corner, extended benevolent hands, one left, one right, downwards towards the immense circular mandala that, Arthur guessed, was the world itself. The mandala was composed of five circles, each varie-colored; in the centre of all the circles was a square, inside of which were rectangles, inside of which were triangles. At the very center was another series of circles, three of them, inside the third of which was the nine-petalled lotus, the ninth petal itself being the exact center of the whole mandala. There were strange little umbrella-shaped objects, both surrounding and inside the inner circles, and one of these was at he centre of the ninth petal. He had no idea what they symbolized, they looked alternately like soft brushes and ceiling lamps. There were ten outside the square containing the inner three circles; there were five inside the square, four at the cardinal points, the fifth, top downward, in the center circle.

The picture’ bright colors were faded, scuffed by years of wear and tear, so that Brother Antonius could get only an imperfect impression of the original beauty. But as with all things once truly beautiful, enough of the original force remained to powerfully set off this journal among all the volumes. He had paused a long time before even opening it, the cover gave him pause, and seemed to open up a new dimension in this whole peculiar fixation Brother Antonius found himself unable to escape. The papers that had fallen to him literally from the sky, the two lives involved so erratically yet relentlessly, the strange power of what he assumed to be unpublished writings, which had given him such unexpected pleasure and pain, and which were eventually to led him far away from his desert retreat, came to represent, in spite of himself, a whole “other world” he seemed to have known but could not in any way consciously account for. Of course reincarnation immediately suggested itself as a possible explanation, but initially he dismissed this possibility as unacceptable, it was either romantic fantasy or the limits of ordinary logic.

Allen's Text 64 - part 2

copyright2006 - Allen Sutterfield

In twenty years he had read through the whole lot innumerable times, some parts perhaps a thousand tomes. Yet, when he finally gave all of them over to Alfred and Marcia, he knew then as one work, despite their randomness, their beguiling impenetrabilities. His brilliant memory gave him exact recall of the myriad incidents recorded there, and he could quote whole passages of words qua words. He was however unable to finally determine which of the two incidents or words—was the primary focus of the jumbled mass.

“The only way I could possibly do it, is to have ALL the pages, notebooks, journals, scrapbooks out and visible at one time, in one big room—Scrooge in his money bins—and even then, to have several years, or say an INDEFINITE TIME PERIOD available, and other needs (if not WANTS) taken care of who knows how, leaving me full time for concentration: then, with that only as my life, my work could be written. It will never happen. It could only happen in a novel, a bad novel at that, and sothat work will not, con not be written. Even if “LIFE” provided all the externals, ”LIFE” can do nothing about the internal quirks and quarks. But simply because it cannot be written by me does not mean it does not exist. Great books always happen like this, they are impossible for decades, for scores of years, dreamed of and began and abandoned by writer after writer—then suddenly, someone LIVES THE DREAM BY WRITING IT and the work of genius appears, with no one the wiser as to how such works “come into existence."

For the true artist, the genius, does, in himself, satisfy exactly the conditions I ask for above, fatedly as it were, to the extremities of asylum, deformities, cork-lined rooms, blindness and the overdeveloped ear: not from posturing or petty defiance but because the work requires it, since the work is what is being lived, and not the life of the artist. Others live that. You, me, others. In my case I am close enough to it to it SOME MOMENTS. That is how I know. But I do not live it enough, and so I am taunted and haunted by the existence of the Work, shy of its fulfillment. Yes the Work has taken leave of me, its possible fulfillment through me THIS LIFE has been abandoned, and the Work can do this, for it has eternity, not time, on its side. I m left to be the butt of its great laughter.”

There appeared to be mountains below the mandala but stiched with white flowers, as though their lines were in fact seams in the visible world. Another time they looked like the roof lines of mountain temples, but in either case they were stitches. the three “items” in the center, directly beneath the mandala, Arthur never did decifer. The mandala itself, on this background, was framed, first in flowered darkwood, then in scrolled in goldenwood. Beyond this was the narrow border of the journal cover itself, in appropriate dark flowered brown, with a final red edge—the spine. The edges had been worn away all round, giving a certain quality as the final effect.

On the inside cover, in Winter’s hand: “Address for this volume: P.K. 180, Gaziantep, Turkey.”

Important Message

If you can spend an absolutely futile afternoon in an absolutely futile mode, you have learned to live.

Lin Yu-t’ang (1895-1976)

Saturday, May 20, 2006

The Birth of the Whale

Inuit Myth

Sedna was a very beautiful Eskimo girl who lived with her widowed father beside the sea; she was courted by many young men from many different clans but always refused to marry.

One day from a distant shore came a handsome hunter, he carried an ivory spear and dressed in splendid furs, he arrived on his kayak, but instead of coming ashore he stayed on his canoe rocking among the waves, calling out to Sedna with seductive songs:

Follow me into the land of birds, where there is never any hunger. You shall rest on my skins, your pot with always have meat, your lamp with oil filled, you will wear ivory necklaces and my land will be your land…”

Sedna at first refused, tough intrigued, she was still timid and confused. But the stranger’s attractive words, little by little, down to the sea drew her. He enticed her onto his canoe and swiftly sailed away.

The handsome stranger deeply and sincerely loved her, but Sedna felt disgust and then despair, spent her days in grief and tears when she discovered her seducer was not a man but a Kokksaut,* the phantom of a bird, a bird-spirit capable of assuming the shape of other birds, or at will transform himself into a human being.

Sedna’s father too was inconsolable for the loss of Sedna, so one day he set out in search of the distant shore his daughter had been taken to. The bird spirit was away when he found it, he saw his grieving girl, he took her in his arms, he carried her to the boat to set sail for their native land.

When the Kokksaut returned he looked for his beloved wife, but couldn’t find her, mysterious cries carried by the wind told him Sedna and her father had fled with lamentations and cries of anger.

In his handsome phantom form he entered his kayak in pursuit and soon caught up with the fugitive canoe. On the get-away canoe Sedna’s father recognized the phantom and chose to hide his daughter underneath some furs, Kokksaut pleaded for his wife: “Let me see Sedna, I beg you, let me see her.”

But with anger the father firmly refused the phantom’s plea. Wild with despair, the phantom-hunter fell back. He had failed.

With a furious beat of wings he then changed back into a bird, spread his wings and soared, soared over the fugitives uttering the strange cry of the loon and disappeared into the darkness of a sudden Artic ocean storm sweeping across the sea.

Wild winds raged, billowing waves clamoured, demanded the sacrifice of Sedna, Sedna’s father smitten by horror, dismay and dread of having offended the powers of heaven and earth, out of his mind and with fear of the man-bird gripping his heart he seized his daughter and hurled her from the canoe to appease the offended sea.

Three times above the waves Sedna’s face appeared, her hands desperately clutching the side of the boat, while in wild panic and shock the father with a great ivory axe chopped her fingers off, as she battled in turbulent waves, her chopped fingers transformed into seals.

Again and again she tried to escape death and trice the father mutilated her wounded hands. The second knuckles gave birth to the ojuk, the deep-sea seals, the third became walruses and from the remainder, the whales were born.

Nothing saved Sedna from the fury of the ocean, she perished to complete the sacrifice that returned calm to the raging sea.

Note:
Kokksaut: Inuit word for strange creature

Wednesday, May 10, 2006

The Killer Whale

To Canada’s northwest coastal native people the killer whale (below) is the lord of the ocean. His warriors are dolphins; sea lions are his messengers. It’s believed that when great chiefs die, they become killer whales. Humans and killer whales are believed to be closely related. The killer whale also symbolizes long life.

Saturday, May 06, 2006

Vision Before Invasion

Copyright2006 - Cerro Engelais


dead eyes feel no remorse
twisted bodies dying for an unjust cause
high above fire raining from the sky
killing everything beautiful and alive
men, women and children, nothing spare
even the buildings and trees were blown away
death and destruction everywhere
I don't care what you think or say
the question remains
where is God at the end of the day!

Bush Whacked (Nov 4 2004)

Bleak, bleary eyes - anxiously awaiting, outcome of the night - disappointment swept the world. - hope ends - no change to the regime without friends - affecting their future. Four more to go! Documentaries of Michael Moore will echo into the bleeding hearts of mothers, when death of their young takes its toll! Shoulders shrugged - a shake of the head. My neighbour decided to continue a bloody mistake!

A Nude Swim

©2006- Cerro Engelai

Three years ago a good friend of mine was very sick. On that cold morning I decided to "sacrifice myself". To appease the malevolent spirit I plunged into the frigid water of Canada's Northwest Coast.

Pantheistic and sacred
ancient and primitive
offerings of living things
self sacrifice of the great spirit

O Great Spirit of the Cold
presever of the living and the dead
keeping the alive afresh,
and the dead from going bad

O Great Spirit of the Water
giver of all lives and desires
mightier than the mighty fire,
May you keep us young forever!

Tuesday, May 02, 2006

Text 3208 - Winter -

©2006 Allen Sutterfield

 

Like that he came, after nothing in years. A knock on the door,  happened it were Monday, and, he, donning a silken robe, his only gift from a long dead time, enter Winter.

Winter was broader but of an even height. His face was fuller, so was his gut. He did not dash but one quickly felt his motion. He seemed always ready to teeter but in fact was surer on his feet. Hi hair was thinner, lighter, his face was older, possessed more of what lay behind it than on top it. His speech was articulate when conscious, other times ( more and more frequently of late) his tongue would trip ungainly over the great lacunae inside his mouth , when he opened wide it was quite as though he was aluminum inside. However, he was usually in command of his tongue, and though his lungs were black and foul, these were not seen, except in tiny bits of handkerchief, during his rare and terrible spells. then it did not matter.

Winter was in fact younger, for all his appearance. That is, by the calendar he was. Age had never downed on either as something they were but rather something they were inexorably approaching. Thus they kept its distance.

Winter was bulging bottles as he came.

"By Jesus! You!"  "Its me by god!" "After all these years--"

 "Has it really been?" "Sonofabitch!" "Find a corkscrew."

It had been sometime. Each could truthfully say he scarcely knew the other.

"It's this way m'boy--I've got some tickets, we're on our way (I do not travel alone, in the world at least), you come too. You're taken care of, and in a few weeks, more or less, you're returned, if you like. If you don't like, we go on. Now now no questions about where, how could that matter. Suffice it to say, this is the only time for it. Don't worry, it's not a vacation. What say? There is really only one answer."

Tuesday, April 18, 2006

Allen Sutterfield - His Poems

copiright2006 Allen Sutterfield

LORCA'S DEATH

A flight of black swans
Over the river
Of a book

Dark as blood roads
On grave guitars

His last face
Amap of fire,
burning up the sun



AUGUST 17 1997

O waste of summer evening in despair
The unknown bird at my obscure window
Sings, why should I care? why should I care?
And I cancur, and I concur.

Yet a moment later, when he has gone,
A streak of red with a golden afterglow,
I find I cannot sing his song alone.
My voice away with him has flown.

These words I write but do not sing
Nor do I light at any window.
Musicless I am a hapless thing
Going round and round a hopeless ring.

But it is not bird or lack of bird
That makes me feel so teribly hollow
Its that I know there is no word,
There is no word, there is no word.



ON LEAVING FOR VANCOUVER

So, we'll not walk
These streets again
Not now, nor the next year after

And we will not
Go hitching again
Not now, nor the next year after

To everything there is a season
and many times
The moment of departure

But sadness only comes
Because of joy, it is never
a serious threat to the heart

That endures whatever
Occurs, Before, now,
And the next year after

Remember Me


Copiright2006 Fred Olsen


Jane sits in her cylindrical duralumin tomb
The epitomy of luxury, the stewardesses loom.
Skin schulptured by Revlon, her nails she'll preen
Only two days ago you should have seen where she'd been

Rmember me

Bae Squats shivering in her leaking tatched home
The damp fog descends like a blanketing dome.
Skin weathered and burnished, nails cracked and torn,
In life's triage, it oft depends where you are born.

Remember me

Days ago their gaze met and locked on that mountain terrain
They were one, whatever transpires in the days that remain.
Bae turned to east, Jane turned to the west
One will have the least, the other the best.

Remember me

Their children will grow, at least some of them will,
They'll follow their paths for good of for ill.
a lot will depend on the fortune of birth
Sometimes its hard to believe they are on the same Earth.

Remember me

Finally Jane hits the streets of her city
Overwhelming with road rage and devoid of pity.
Both women turn to thei tasks, of whatever they are made
Sometimes I wonder if its the West that needs aid.


Note: This is Fred's s second poem inspired while on a tour of Vietnam.

Monday, April 17, 2006

Thought of the Day

...to get old? horrible, horrible... but it's the only way I found to avoid dying young...

Daniel Pennac - French writer- 1944

Porno-Euro is Legal-Tender

Germany was on the alert over counterfeit Euro-notes imprinted with pornographic images. The notes, meant to be sold as a joke, soon began to circulate as legal tender. A costumer at a shop bought two cartons of cigarettes worth 66 euros and received 534 euros in change when he paid with a 600 (legally inexistent) Euro note. The German police immediatly blocked the circulation of the Porno-Euro, explaining during a press conference, that there are no legal 300, 600, or a 1.000 euro notes, those in circulation were fabricated jokes, in any even the couterfeit notes would be easly recognizable from the legal ones because in the legal ones, the word-denomination is Euro, not Eros.